Kazuyo Sejima nueva directora de la Biennale

Kazuyo Sejima acaba de ser seleccionada como directora de la 12º edición de la Biennale de Arquitectura de Venecia que tendrá lugar en 2010.

Después del sigue leyendo algunas ideas que ha mostrado Sejima para la exhibición.

“The Biennale must be everything and anything, fundamentally inclusive, in dialogue with both contributors and visitors. Buildings, the atmosphere that they create and the way in which they are conceived, can be the central starting point of the coming Biennale. Very broadly, the process by which we design can be brought to bear on contemporary and future architectural discussion. We can select and arrange works such that they are understood as they are rather than as representations. This can be manifested with an architecture grounded in its use by people.

 

We are now well into the 21^st Century. We can take this opportunity to step back and assess the zeitgeist of now through the process of the Biennale. This can clarify contemporary essentials of architecture and the importance of new relationships as we step into the future. One potent point of departure could be the boundaries and adaptation of space. This might include the removal of boundaries, as well as their clarification. Any part of architecture’s inherent multiplicity of adjacencies can become a topic. It might be argued that contemporary architecture is a rethinking and perhaps softening of those borders.

 

inside and outside

individual and public

program and form (form and function)

physical and virtual

contemporary and classical

past and future

harmony and discord

structure partition

art and architecture

nature and man

 

Perhaps the oxymoron can represent a productive new paradigm; can these binaries (intersections of public/private, global/local, artificial/natural, monumental/mundane, complex/simple, symbolic/pragmatic, fake/authentic, active/passive, thickness/thinness) lead to a duality capable of blurring these boundaries? How can the unexpected interdependency of extraordinary spaces create a communal/symbiotic dialogue between adjacencies? Equally, there is another thread of interest; people in architecture, human encounters in both public and private scenarios, both as creators and users. This is an issue of individual life in interplay with the community. It may be as simple as ”˜people meet in architecture.’ In its totality the Biennale can both a new and active forum for contemporary ideas as well as a close reading of buildings themselves.”